Amour

'Genuinely enchanting' and 'utterly gorgeous' (★★★★ Time Out), Hannah Chissick's 'delightful' (★★★★★ Broadway World), 'decadent' (★★★★★ Attitude) and 'irresistibly charming' (★★★★ The Stage) production tells the miraculous tale of a shy, unassuming civil servant who dares to dream. A brilliantly witty and deliciously surreal musical fantasy about the power of self-belief. Catch it while you can!

When Dusoleil miraculously gains the ability to walk through walls, he not only begins to lead a double life, stealing from the rich and giving to the poor, but also gains the self-confidence to woo Isabelle and, just for a while, live the life he has always longed for.

Starring Gary Tushaw (Ragtime) as Dusoleil, Anna O'Byrne (The Woman In White) as Isabelle and Alasdair Harvey (Sunday In The Park With George) as the Prosecutor, alongside Elissa Churchill (Elephant Steps), Claire Machin (Memphis), Keith Ramsay (The Cereal Cafe), Jack Reitman (Thrill Me), Steven Serlin (The Wild Party) and Alistair So (The King And I), with understudy Laura Barnard.

★★★★★ Mark Shenton 'I was walking through air as I left the theatre.'

★★★★★ MusicalTheatreReview 'Lifts Legrand's extraordinary music to even greater heights.'

★★★★ WhatsOnStage 'No shortage of cinematic dazzle and it never misses a beat.'

Creative team: Director Hannah Chissick, Choreographer Matt Cole, Production Designer Adrian Gee, Lighting Designer Rob Halliday, Sound Designer Andrew Johnson, Musical Director Jordan Li-Smith, Producer & Casting Director Danielle Tarento


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Stiletto

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Stiletto
In Italy during the 18th century, an average of 5,000 boys were castrated annually. Almost exclusively, they came from poor families. Their treble voices intact, castration promised those who survived a chance to earn fame and fortune by singing female roles in the opera. A few made it, but most didn’t and were swept aside.

Stiletto, a new musical with Music and Lyrics by three-time Grammy nominee, Oscar and Golden Globe nominee Matthew Wilder (Disney’s Mulan), Book by double Olivier Award nominee Tim Luscombe (Noël Coward’s Easy Virtue, Terrence Rattigan’s The Browning Version and Harlequinade), is set in Venice, Europe’s opera capital.

During the winter of 1730-31, Venice is a city bristling with opportunity where fortunes can be made but life is cheap. A city of lustre and intrigue with plenty of chances of success for Marco, who was castrated as a child to retain his perfect voice. Opera stars being the rock stars of their day, Marco is on course to be an 18th-century Jagger or Bowie, to snag a powerful patron and play leading roles.

In a busy square he meets Gioia, confident, strong willed...and supremely talented. But despite her musical gifts, being the daughter of an African slave, there’s no chance for her to fulfil her dreams. Marco recognises her talent and, sensing that they are both outsiders as well as sharing a love for music, they fall in love.

In an attempt to get her on stage, Marco introduces Gioia to society and his patron, the Contessa Azzurra, but at the end of the evening, a body lies dead and Gioia is hauled off to prison. To free her, Marco must overcome the demons of his past and the morally corrupt forces of the present.


Creatives:
Music & Lyrics: Matthew Wilder
Book: Tim Luscombe
Director: David Gilmore
Staging Consultant: Anthony Van Laast
Musical Director: Jae Alexander
Orchestrator: Simon Nathan
Set Designer: Ceci Calf
Costume Designer: Anna Kelsey
Lighting Designer: Ben Ormerod   
Sound Designer: Andrew Johnson
Casting: Neil Rutherford
Executive Producer: Guy Kitchenn
Produced by Patrick Bywalski for the Robert Stigwood Organisation and Steven M. Levy for Charing Cross Theatre Productions Limited.
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