GSA | West End

"It's a perfectly ripping yarn." Daily Telegraph

Fresh from a sell-out run at the Bellairs Theatre, the first graduating year of GSA’s BA Actor-Musician programme brings this unique production full of quirky characters, splendid scrapes and fabulous friends, to delight West End audiences.

1927 - Daisy Meredith is the first scholarship girl taken from an elementary school to be granted access to the hallowed halls of the prestigious Grangewood School for Young Ladies. Enthusiastic and plucky to the last, Daisy finds herself struggling against unspeakable snobs Sybil Burlington and Monica Smithers, who concoct ghastly schemes to get her expelled. Ably assisted by her new best friend, madcap Trixie Martin, Daisy finds herself caught up in a series of irresistible adventures including the search for missing “Beaumont Treasure”. Can Daisy work out the mysterious clues and save the school from closure? What secrets does the enigmatic Mr Scoblowski hide?

★★★★ "Not so much The Play That Goes Wrong as the play that goes bonkers...absolutely scrummy!" Londontheatre1.com

"A spiffing production, complete with pitch-perfect singing and choreography timed to comic perfection" British Theatre Guide

★★★★ "Perfect for the whole family, Daisy Pulls It Off still makes you laugh and delivers great musician-actor performances" Theatre Weekly

"This Daisy is pure, unadulterated fun" Theatreworld Internet Magazine

★★★★ "A gifted cast of graduating actor-musicians from GSA strike all the right notes in this parody romp" Act Drop

"New actor-muso Daisy Pulls It Off is absolutely ripping, with a topping new musical score" The Prickle

★★★★ “One not to be missed” Pocket Sized Theatre

This riotous and affectionate pastiche of a classic girls' school story was a huge West End hit and won the Olivier Award and Drama Theatre Award for Best Comedy when first produced by Andrew Lloyd Webber in 1983.

Director Nicholas Scrivens Music by Niall Bailey

Musical Staging Phyllida Crowley Smith

By arrangement with The Really Useful Group Ltd.

Warning: Strobe lighting effects will briefly be used during this performance.

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Jeeves Takes Charge

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First seen 45 years ago, the Olivier Award-winning and much-loved Jeeves Takes Charge returns to London for a short season at the Charing Cross Theatre after showcase productions at the Jermyn Street Theatre (“Brilliant” – Jeffrey Archer), The Tabard Theatre (“How on earth does he do that?” – Trevor Nunn), and a Christmas season at the Theatre Royal, Bath (“One of this year’s Top 20 Christmas shows – The Guardian.) West End, Chichester and RSC favourite, Sam Harrison, plays all twenty-two much-loved PG Wodehouse characters including Jeeves, Wooster, Florence Craye, Gussie Fink-Nottle, Bingo Little, Uncle Willoughby, Aunt Dahlia, and many more – in a bravura, tour de force, one-man performance.

Originally brought into the West End by Barbara Dickson and Bernard Theobald, together with Cameron Mackintosh and Andrew Lloyd Webber, Jeeves Takes Charge is guaranteed to put a smile on your face and a song in your heart.

Do not miss this dazzling and extraordinary, strictly limited, run. Pip Pip!

by PG Wodehouse

Adapted by James and Edward Duke, Hugh Wooldridge

Lighting by Tim Mitchell

Sound by Paul Groothuis

Design by Caite Hevner

Directed by Hugh Wooldridge

Produced by Steven M. Levy for Charing Cross Theatre Productions LTD.

In short, I can tell you that with absolute certainty you will be in for a ‘top hole, smashing, wizard, evening’, which after two hours will leave you breathless and dizzy with joy at the performance you have just been privileged to witness.
Theatre and Tonic ★★★★★

A welcome return then for Wodehouse aficionados and perhaps a useful introduction for newcomers, this lavish production features a remarkable central performance.
West End Best Friend

Harrison is excellent. He is clearly at home with both Wodehouse’s writing and this particular style of comedy. His bumbling delivery, physical comedy, rubbery movements and wonderfully eccentric mannerisms make him perfectly suited to the material.
Staged Theatre

Wooldridge’s staging is quite masterful, right up to curtain call during which Harrison takes his bow surrounded by the portraits of all the characters he has played.
The Spy in the Stalls

Harrison is magnetic, effortlessly funny and boldly dynamic.
All That Dazzles

once the production begins, the room changes to various locations and venues thanks to a wonderful combination of video projection, sound and lighting (compliments of Caite Hevner, Paul Groothuis and Tim Mitchell) in a way that is both shocking and outstanding. Truly superb work by the creatives.
London Theatre 1 ★★★★

With clever staging and a mesmerising performance, Jeeves Takes Charge is full of laughs from beginning to end.
North West End UK ★★★★

It’s nothing less than a tour de force and a model of infectious light entertainment.
Fairy Powered Productions ★★★★

A highly enjoyable night at the theatre.
A Youngish Perspective ★★★★

The staging is immaculately put together. Caite Hevner’s design is clever and dynamic.
First Night Magazine

It was truly an enjoyable evening, and the funniest performance I’ve seen for some time.
Theatre South East

for fans of the Wodehouse brand of comedy, this is an astute and appealing adaptation.
Theatre Weekly ★★★★

Funny, inventive and incredibly skilful, this is storytelling and multi-role performance at its very best.
Theatre Audience Podcast ★★★★

The combined effect is bright, lively and ephemeral, effectively catching the spirit of Jeeves and Wooster’s breezily carefree world.
The Stage

a delightfully lighthearted and entertaining show. Something we need more of right now.
Broadway World

a fun, very reverent take on the works of P.G Wodehouse, with a great physical performance from Sam Harrison.
The Theatre Flyer

the biggest achievement of the evening comes from Sam Harrison. The sheer amount of content he has to handle is extraordinary. He plays 22 (!) roles, switching between them and rattling through a near-impossible number of lines with great stamina. Harrison's technical skill is so admirable
Jack Stage

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Show Archive: Daisy Pulls it Off

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