Actor & activist George Takei ‘lights up the stage’ (Daily Telegraph) in this ‘beautiful, deeply moving’ (Sunday Express) UK premiere of the uplifting Broadway Musical inspired by his true life experience.

Allegiance is the ‘hard to resist’ (The Times) story of the Kimura family and their struggles in the aftermath of the attack on Pearl Harbor.

In this ‘rousing piece of musical theatre’ (WhatsOnStage), Allegiance reveals the courage and loyalty of a family in a time of great injustice as 120,000 Japanese Americans are forced into internment camps; testing the power and resilience of the human spirit in this ‘gripping and surprisingly uplifting’ (AllThatDazzles) musical.

Telly Leung holds the audience ‘spellbound’ (TheatreMonkey) as Sam Kimura, who believes enlisting is the only way to demonstrate his patriotism and win the freedom of his people. His sister Kei - played by the ‘exceptionally talented’ (The Stage) Aynrand Ferrer - sides against him and joins the resistance movement in the camp. Soon the political conflict is mirrored within the family, leading brother and sister down starkly different paths as they are forced to decide where their allegiance lies.

***** ‘Allegiance sets the bar for 2023 theatre ridiculously high’ (All that Dazzles)

With a score by Jay Kuo and a book by Marc Acito, Lorenzo Thione and Jay Kuo, George Takei's Allegiance held its world premiere at San Diego’s Old Globe Theatre in 2012, setting box office records. After a triumphant run on Broadway and a subsequent film seen around the world, Allegiance transfers to London for its European premiere in a newly conceived production directed and choreographed by Tara Overfield Wilkinson, playing at Charing Cross Theatre until 8 April 2023.

Hard to resist
The Times ★★★★

Allegiance sets the bar for 2023 theatre ridiculously high.
All That Dazzles ★★★★★

Rousing, piece of musical theatre
Whats On Stage ★★★★

The Star Trek legend lights up the stage
Telegraph

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Jeeves Takes Charge

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First seen 45 years ago, the Olivier Award-winning and much-loved Jeeves Takes Charge returns to London for a short season at the Charing Cross Theatre after showcase productions at the Jermyn Street Theatre (“Brilliant” – Jeffrey Archer), The Tabard Theatre (“How on earth does he do that?” – Trevor Nunn), and a Christmas season at the Theatre Royal, Bath (“One of this year’s Top 20 Christmas shows – The Guardian.) West End, Chichester and RSC favourite, Sam Harrison, plays all twenty-two much-loved PG Wodehouse characters including Jeeves, Wooster, Florence Craye, Gussie Fink-Nottle, Bingo Little, Uncle Willoughby, Aunt Dahlia, and many more – in a bravura, tour de force, one-man performance.

Originally brought into the West End by Barbara Dickson and Bernard Theobald, together with Cameron Mackintosh and Andrew Lloyd Webber, Jeeves Takes Charge is guaranteed to put a smile on your face and a song in your heart.

Do not miss this dazzling and extraordinary, strictly limited, run. Pip Pip!

by PG Wodehouse

Adapted by James and Edward Duke, Hugh Wooldridge

Lighting by Tim Mitchell

Sound by Paul Groothuis

Design by Caite Hevner

Directed by Hugh Wooldridge

Produced by Steven M. Levy for Charing Cross Theatre Productions LTD.

In short, I can tell you that with absolute certainty you will be in for a ‘top hole, smashing, wizard, evening’, which after two hours will leave you breathless and dizzy with joy at the performance you have just been privileged to witness.
Theatre and Tonic ★★★★★

A welcome return then for Wodehouse aficionados and perhaps a useful introduction for newcomers, this lavish production features a remarkable central performance.
West End Best Friend

Harrison is excellent. He is clearly at home with both Wodehouse’s writing and this particular style of comedy. His bumbling delivery, physical comedy, rubbery movements and wonderfully eccentric mannerisms make him perfectly suited to the material.
Staged Theatre

Wooldridge’s staging is quite masterful, right up to curtain call during which Harrison takes his bow surrounded by the portraits of all the characters he has played.
The Spy in the Stalls

Harrison is magnetic, effortlessly funny and boldly dynamic.
All That Dazzles

once the production begins, the room changes to various locations and venues thanks to a wonderful combination of video projection, sound and lighting (compliments of Caite Hevner, Paul Groothuis and Tim Mitchell) in a way that is both shocking and outstanding. Truly superb work by the creatives.
London Theatre 1 ★★★★

With clever staging and a mesmerising performance, Jeeves Takes Charge is full of laughs from beginning to end.
North West End UK ★★★★

It’s nothing less than a tour de force and a model of infectious light entertainment.
Fairy Powered Productions ★★★★

A highly enjoyable night at the theatre.
A Youngish Perspective ★★★★

The staging is immaculately put together. Caite Hevner’s design is clever and dynamic.
First Night Magazine

It was truly an enjoyable evening, and the funniest performance I’ve seen for some time.
Theatre South East

for fans of the Wodehouse brand of comedy, this is an astute and appealing adaptation.
Theatre Weekly ★★★★

Funny, inventive and incredibly skilful, this is storytelling and multi-role performance at its very best.
Theatre Audience Podcast ★★★★

The combined effect is bright, lively and ephemeral, effectively catching the spirit of Jeeves and Wooster’s breezily carefree world.
The Stage

a delightfully lighthearted and entertaining show. Something we need more of right now.
Broadway World

a fun, very reverent take on the works of P.G Wodehouse, with a great physical performance from Sam Harrison.
The Theatre Flyer

the biggest achievement of the evening comes from Sam Harrison. The sheer amount of content he has to handle is extraordinary. He plays 22 (!) roles, switching between them and rattling through a near-impossible number of lines with great stamina. Harrison's technical skill is so admirable
Jack Stage

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