Myra DuBois: DuBois Entendre
So Comedy by arrangement with Gareth Joyner presents

MYRA DUBOIS: DUBOIS ENTRENDRE (PREVIEW SHOW)

The nationally acknowledged renaissance woman has had quite the year for complaints. She has a nasty habit of saying one thing when she means another. A ‘DuBois Entendre’ if you will. Join the self-declared Siren from South Yorkshire as she stands trial seeking redemption from you, her adoring audience. She’ll tell you herself, ‘the devil made me do it!’  From BBC1’s The John Bishop Show.  ‘A display of caustic sensibility & razor sharp wit’ (Scotland On Sunday)  ‘Hilarious… comic timing that never misses a beat’ **** (Edinburgh Festivals)  Proper stand-up, brilliantly delivered’ **** (Broadway Baby)      

PLUS SUPPORT FROM FRANK LAVENDER
Meet Frank Lavender; comedian. When a grafting comic from the pub and club circuit of The North is told that his stock material isn’t suitable for the modern comedy palette, where does he go? Dropped by his management, left by his wife, Frank prepares himself to the Edinburgh fringe to find his place in the comedy world. 
‘Peter Sutcliffe was funnier’ (Myra DuBois)

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Mrs President

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Mrs President
Art Pond Foundation presents
MRS PRESIDENT
Written by John Ransom Phillips
Directed by Bronagh Lagan

Keala Settle is Mrs President.

Mary Lincoln is a woman under siege — with her grief, her detractors, and herself. In the shadow of her late husband, President Abraham Lincoln, she battles a world eager to define her and a conscience that will not rest. Accused of treason and shunned by society, she turns to Mathew Brady, the world’s first celebrity photographer — played by Hal Fowler (Les Miserables, Aspects of Love, Flowers for Mrs Harris) — to help her reclaim her story. But as the lens turns between them, the power shifts, and their collaboration spirals into a fierce struggle for authorship, truth, and control.

Following its original staging in 2025, Mrs President opens at the Charing Cross Theatre in a newly reimagined version — the result of deep dramaturgical development and a creative workshop period in New York that uncovered bold new layers within the piece.

This is not a remount, but a reinvention — richer in scope, sharper in focus, and more hauntingly human.

Re-envisioned under the direction of Bronagh Lagan (Cruise, Broken Wings) and written by artist, playwright, and historian John Ransom Phillips, the production features Broadway musical theatre star Keala Settle (The Greatest Showman, Waitress, Les Miserables) in a rare non-singing dramatic role that showcases her extraordinary depth and power.

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