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Rebecca
‘Rebecca’, by Michael Kunze and Sylvester Levay, two of the most successful German-language musical theatre composers, had its world premiere at the VBW-theatre Raimund Theater in Vienna, Austria, in September 2006, where it went on to play to sold-out houses in three seasons, and where it is currently enjoying a successful revival.

Rebecca, with an orchestra of 18, will be directed by Alejandro Bonatto (director of the critically acclaimed production of Donizetti’s ‘Rita’ and the upcoming production of Francis Poulanc and Jean Cocteau’s ‘The Human Voice’ at Charing Cross Theatre later this month).

It has a new English translation by Christopher Hampton (two-time Tony Award winner Best Score &
Best Book for ‘Sunset Boulevard’ and Oscar winner for Best Adapted Screenplay ‘Dangerous Liaisons’ & ‘The Father’) and Michael Kunze.

Rebecca, with 22 original songs, is a gripping thriller full of intrigue and surprises that sticks closely to the original novel. Wealthy Maxim De Winter brings his naïve new wife home to his Cornish estate, Manderley, where the manipulative housekeeper, Mrs. Danvers, resents the new wife’s intrusion. She persuades her that she is an unworthy replacement for the first Mrs. De Winter, the glamorous and mysterious Rebecca, who perished in a drowning accident, with tragic results...

The world-famous novel was also turned into a celebrated Alfred Hitchcock film in 1940, starring
Laurence Olivier, Joan Fontaine, Judith Anderson, George Sanders and Gladys Cooper. It was
nominated for 11 Oscars, winning two awards; Best Picture and Best Cinematography. 

Cast:
Richard Carson (Maxim de Winter) has appeared in several major West End musicals including ‘Les Miserable’s, ‘Joseph and the Amazing Technicolor Dreamcoat’, ‘Mamma Mia!’ and ‘Miss Saigon’.

Lauren Jones (Second Mrs de Winter, ‘I’) recently appeared in the West End production of ‘Bonnie & Clyde’ as Trish and alternate Bonnie.

Kara Lane (Mrs Danvers) was Alice in ‘The Addams Family - the Musical Comedy’, Winifred Banks in ‘Mary Poppins’, Reno Sweeney in ’Anything Goes’ at Kilworth House, ‘Mary Magdalene’ in Jesus Christ Superstar’ and Magenta in ‘The Rocky Horror Show’.

The rest of the cast are: Alex James-Ward, Piers Bate, Sarah Harlington, David Breeds, Shirley Jameson, Neil Moors, Nicholas Lumley, Nigel-Joseph Francis, Elliot Swann, Scott McClure, Emily Apps, Melanie Bright, Gail MacKinnon, Tarisha Rommick, James Mateo-Salt, Rosie Glossop.

Creatives:
Original Book and Lyrics - Michael Kunze
Music and Orchestrations - Sylvester Levay
English Book Adaptation by Christopher Hampton
English Lyrics by Christopher Hampton and Michael Kunze
Based on the novel by Daphne du Maurier
Director - Alejandro Bonatto
Choreographer - Ron Howell
Musical Director - Robert Scott
Production Designer - Nicky Shaw
Lighting Designer - David Seldes
Sound Designer - Andy Johnson
Projection Designer - Matt Powell
Casting - Stephen Crockett / Grindrod Burton Casting
Producer - Steven M. Levy for Charing Cross Theatre Productions Limited

Worldwide Stage Rights: VBW International GmbH
Linke Wienzeile 6, 1060 Vienna, Austria
international@vbw.at
www.vbw-international.at


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Stiletto

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Stiletto
In Italy during the 18th century, an average of 5,000 boys were castrated annually. Almost exclusively, they came from poor families. Their treble voices intact, castration promised those who survived a chance to earn fame and fortune by singing female roles in the opera. A few made it, but most didn’t and were swept aside.

Stiletto, a new musical with Music and Lyrics by three-time Grammy nominee, Oscar and Golden Globe nominee Matthew Wilder (Disney’s Mulan), Book by double Olivier Award nominee Tim Luscombe (Noël Coward’s Easy Virtue, Terrence Rattigan’s The Browning Version and Harlequinade), is set in Venice, Europe’s opera capital.

During the winter of 1730-31, Venice is a city bristling with opportunity where fortunes can be made but life is cheap. A city of lustre and intrigue with plenty of chances of success for Marco, who was castrated as a child to retain his perfect voice. Opera stars being the rock stars of their day, Marco is on course to be an 18th-century Jagger or Bowie, to snag a powerful patron and play leading roles.

In a busy square he meets Gioia, confident, strong willed...and supremely talented. But despite her musical gifts, being the daughter of an African slave, there’s no chance for her to fulfil her dreams. Marco recognises her talent and, sensing that they are both outsiders as well as sharing a love for music, they fall in love.

In an attempt to get her on stage, Marco introduces Gioia to society and his patron, the Contessa Azzurra, but at the end of the evening, a body lies dead and Gioia is hauled off to prison. To free her, Marco must overcome the demons of his past and the morally corrupt forces of the present.


Creatives:
Music & Lyrics: Matthew Wilder
Book: Tim Luscombe
Director: David Gilmore
Staging Consultant: Anthony Van Laast
Musical Director: Jae Alexander
Orchestrator: Simon Nathan
Set Designer: Ceci Calf
Costume Designer: Anna Kelsey
Lighting Designer: Ben Ormerod   
Sound Designer: Andrew Johnson
Casting: Neil Rutherford
Executive Producer: Guy Kitchenn
Produced by Patrick Bywalski for the Robert Stigwood Organisation and Steven M. Levy for Charing Cross Theatre Productions Limited.
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