YANK! A WWII Love Story

“Some stories didn’t make it into the history books”

Based on the Off-Broadway hit production, and transferring to London following a highly acclaimed run at the Hope Mill Theatre in Manchester earlier this year, YANK! is a poignant love story based on the true, hidden history of gay soldiers during World War Two.

In 1943, young Mid-Westerner Stu is called up to serve in the forces and becomes a reporter for Yank Magazine, the journal ‘for and by the servicemen’. Following the men in Charlie Company, this acclaimed musical explores what it means to be a man and fall in love… 

“YANK! is sensational” -  Attitude 

Scott Hunter (Grease, The Kissing Dance) will reprise his role as Stu and joining the company are Andy Coxon (Beautiful – The Carole King Musical, Les Misérables) as Mitch, Waylon Jacobs (Chicago, Memphis) as Sarge/Scarlet and Bradley Judge (Don’t Run, Sister Act) as Rotelli and Scott Davies (The Return of Neverland) as India.

The rest of the company is completed by Benjamin Cupit, Scott Davies, Lee Dillon-Stuart, Chris Kiely, Kris Marc-Joseph, Mark Paterson, Tom Pepper and Sarah-Louise Young.

This production is directed by James Baker, with musical direction by James Cleeve and choreography by Chris Cuming.  Completing the creative team are designer Victoria Hinton, lighting designer Aaron J. Dootson, sound designer Chris Bogg and casting director Benjamin Newsome. 

Featuring a compelling story and original music by American brothers David and Joseph Zellnik, Yank! pays homage to the timeless music of the 1940s and shows the struggle to survive in a time and place where the odds are stacked against you.

 “A touching, heart-rending show, superbly performed “- The Reviews Hub 

“...earthed with real sincerity and powered by a strong ensemble who bring a robustly masculine grace” - The Stage 

“James Baker’s direction, James Cleeve’s musical supervision and especially Chris Cuming’s choreography hit standards far in advance of what seems reasonable to expect from the fringe” - The Guardian 



Now Playing

Stiletto

Book Now
Stiletto
In Italy during the 18th century, an average of 5,000 boys were castrated annually. Almost exclusively, they came from poor families. Their treble voices intact, castration promised those who survived a chance to earn fame and fortune by singing female roles in the opera. A few made it, but most didn’t and were swept aside.

Stiletto, a new musical with Music and Lyrics by three-time Grammy nominee, Oscar and Golden Globe nominee Matthew Wilder (Disney’s Mulan), Book by double Olivier Award nominee Tim Luscombe (Noël Coward’s Easy Virtue, Terrence Rattigan’s The Browning Version and Harlequinade), is set in Venice, Europe’s opera capital.

During the winter of 1730-31, Venice is a city bristling with opportunity where fortunes can be made but life is cheap. A city of lustre and intrigue with plenty of chances of success for Marco, who was castrated as a child to retain his perfect voice. Opera stars being the rock stars of their day, Marco is on course to be an 18th-century Jagger or Bowie, to snag a powerful patron and play leading roles.

In a busy square he meets Gioia, confident, strong willed...and supremely talented. But despite her musical gifts, being the daughter of an African slave, there’s no chance for her to fulfil her dreams. Marco recognises her talent and, sensing that they are both outsiders as well as sharing a love for music, they fall in love.

In an attempt to get her on stage, Marco introduces Gioia to society and his patron, the Contessa Azzurra, but at the end of the evening, a body lies dead and Gioia is hauled off to prison. To free her, Marco must overcome the demons of his past and the morally corrupt forces of the present.


Creatives:
Music & Lyrics: Matthew Wilder
Book: Tim Luscombe
Director: David Gilmore
Staging Consultant: Anthony Van Laast
Musical Director: Jae Alexander
Orchestrator: Simon Nathan
Set Designer: Ceci Calf
Costume Designer: Anna Kelsey
Lighting Designer: Ben Ormerod   
Sound Designer: Andrew Johnson
Casting: Neil Rutherford
Executive Producer: Guy Kitchenn
Produced by Patrick Bywalski for the Robert Stigwood Organisation and Steven M. Levy for Charing Cross Theatre Productions Limited.
More Info